Style
What the Warner Bros. Sale Means for the Art of Movies
The business outlook remained bleak, of course. Throughout the nineteen-sixties, amid vast social and generational changes, the studios, many still under their longtime executives, struggled to keep pace, and...
A Student Chases the Shadows of Tiananmen
In the beginning of Ha Jin’s new novel, “Looking for Tank Man,” a sophomore at Harvard seems to be on the verge of throwing her life away. Pei Lulu...
A Holiday Gift Guide: Treasures That Are Old, or Old at Heart
When you make a purchase using a link on this page, we may receive a commission. Thank you for supporting The New Yorker.In general, I am a fan of the...
Trump’s World and the Real World
In service to his vision of the world, the President has spent the year undoing every environmental law he can find. The zeal of his lieutenants—Lee Zeldin, at the...
The Best TV Shows of 2025
Fourteen years ago, Emily Nussbaum, one of my esteemed predecessors in the TV-critic chair, notoriously titled her Top Ten list “I Hate Top Ten Lists.” I’ve seldom felt the...
Oliver Sacks Put Himself Into His Case Studies. What Was the Cost?
As Sacks aged, he felt as if he were gazing at people from the outside. But he also noticed a new kind of affection for humans—“homo sap.” “They’re quite...
The New Studio Museum in Harlem Is a Landmark in the History of Black Art
I had to wait for the next generation—my older sister—to break through that uncertainty and introduce me to the political, social, and aesthetic significance of Harlem. In my sister’s...
Two New Movies Revivify the Portrait-Film Genre
Documentaries about individuals are ubiquitous, but “Suburban Fury” and “Put Your Soul on Your Hand and Walk” explore the filmmaker-subject relationship in ways that recall classics of the form....
Chloé Zhao Has Looked Into the Void
How did this book make its way to you?I was driving through New Mexico to the Telluride Film Festival, and that’s when Amblin [Steven Spielberg’s production company] called me...