Wild Cherry Is Ready for Its Closeup

Wild Cherry Is Ready for Its Closeup


This could have easily been chaos, but it reads as mere idiosyncrasy, thanks to the sheer force of Wild Cherry’s appeal as a place to while away a few stylish hours. The music is hopping (when was the last time you heard “Ca’-Ba’-Dab,” by the Soul Swingers, and why isn’t every restaurant playing it on a loop?), and the mood is as warm as the lighting, with affable servers and bar staff whose enthusiasm is infectious. The cocktails skew tiki—a quart-size scorpion bowl with your dinner?—but they’re great, well-balanced and cleverly composed, like a zero-proof piña colada that gets heft and depth from hojicha, or a sherry highball tarted up with amaro and a splash of cola.

The sense of both seriousness and play extends to the food. Among a selection of chilled seafood is a showpiece-y whole Dungeness crab served “à la russe,” with stripes of finely minced chives, capers, and sieved egg; and a gorgeous scungilli salad, the tender slices of conch laced with celery leaves in a punchy vinaigrette, and served piled into the creature’s giant, whorling shell. The approach, over all, is eclectic but committed: a brawny kielbasa, redolent of garlic and studded with melty Comté, sits atop a languid bed of sauerkraut; hunks of chermoula-painted monkfish are laced on skewers and served with a tapenade of olives and raisins. Frogs’ legs—which Hanson and Nasr catapulted back into fashion with a persillade version at Le Veau d’Or—are battered and fried like little chicken drumettes, then glossed in butter and spangled with herbs. The menu’s only pasta is fettuccine Alfredo, a dish so earnestly out of style that it becomes viciously cool again; the sauce, made the traditional way, from just butter, Parmigiano, and an emulsifying splash of pasta water, is tossed together tableside by a server, sending fine particles of cheese flying everywhere like a joyous puff of confetti. For a hundred and twenty dollars, you can get a steak dinner for two, which includes a substantial Denver-cut filet, a lovely green salad, and an audaciously retrograde baked potato, which is also available à la carte, and which I plan to order regularly, alone at the bar, with a dirty Martini, and maybe a slab of pineapple-and-coconut cake for dessert.



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Morgan Hills

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