Style
Wild Cherry Is Ready for Its Closeup
This could have easily been chaos, but it reads as mere idiosyncrasy, thanks to the sheer force of Wild Cherry’s appeal as a place to while away a few...
The Cruelty and Theatre of the Trump Press Conference
Playacting for journalists standing in an unruly huddle just off camera, Trump asked questions of the oilmen, wondering how soon they could suck the ground under Venezuela dry. “And...
William Eggleston’s Lonely South
Eggleston, however, used color in a different way: he employed the bright shock effect of advertising—Drink Coca-Cola! Drive this Buick!—but separated it from capitalism. There’s so much junk in...
Louise Bourgeois’s Art Can Still Enthrall
In recent years, Noche Flamenca, New York’s finest flamenco troupe, has been taking inspiration from the art of Francisco Goya. The company’s aesthetic of bare-bones authenticity and banked-fire passion...
“The Beauty” Is a Hot Mess
In the new Ryan Murphy horror thriller “The Beauty,” a virus turns its hosts into perfect physical specimens overnight. Men wake up with rippling biceps, Hawaiian-roll abs, and the...
Reading for the New Year: Part Four
This is Obomsawin’s take on Kaspar Hauser, a nineteenth-century German man who claimed to have grown up in a dark cellar, without any human contact. We meet him as...
What We’re Reading
Our editors and critics review notable new fiction, nonfiction, and poetry. Source link
An Artist Seeks Reinvention by Living Off the Grid in “Far West”
Lala Abaddon doesn’t have an address. Her home, made from scratch, sits off a rocky road, deep in the desert mountains of the American West. “I wrote the realtor,...
The Cold Comfort of a Helene Schjerfbeck Painting
“Self-Portrait with Black Background” (1915).Art work by Helene Schjerfbeck / Courtesy Finnish National Gallery / Metropolitan Museum of Art; Photograph by Hannu AaltonenIn 1883, Schjerfbeck travelled to Brittany, where...